DOMINIC McIVER LOPES FRSC
Department of Philosophy
University of British Columbia
Vancouver BC Canada V6T 1Z1email dom.lopes@ubc.ca
Dominic Lopes is Distinguished University Scholar and Professor in the Department of Philosophy at the University of British Columbia. A member of the UBC aesthetics group, his research focusses on pictorial representation; the aesthetic and epistemic value of pictures, including scientific images; theories of art and its value; the ontology of art; computer art and new art forms; and aesthetic value, wherever it may be found.
A collection of his essays on methdological themes is in production with OUP and will appear this summer under the title Aesthetics on the Edge: Where Philosophy Meets the Human Sciences. A set of papers discussing his work is due for publication in Paris as Les Arts et les images: Dialogues avec Dominic McIver Lopes. A book on Being for Beauty: Aesthetic Agency and Value is in production and will be published by OUP in September.
Lopes is past president of the American Society for Aesthetics, a member of the editorial boards of the Journal of the American Philosophical Association, the Journal of Aesthetics and Art Criticism, Estetika, Cognitive Semiotics, and Imaginations: Journal of Cross-Cultural Image Studies. Working with Berys Gaut he co-edits Wiley-Blackwell’s New Directions in Aesthetics book series.
He is Fellow of the Royal Society of Canada, a 2017-19 Canada Council Killam Research Fellow, and he has been a Guggenheim Fellow, a fellow of the National Humanities Center, Distinguished Scholar at the Peter Wall Institute for Advanced Studies, and Leverhulme Visiting Research Professor at the University of Warwick, in addition to holding visiting positions at Ritsumeikan University, the University of Modena and Reggio Emilia, the École des Hautes Études en Sciences Sociales, and the University of Miami. He has won two teaching awards, the Philosophical Quarterly Essay Prize, the American Society for Aesthetics Outstanding Monograph Prize, and the Killam Research Prize.
summer seminar
Summer Seminar on Beauty and Why It Matters, UBC, July 9 – 27, 2018
upcoming talks
Feeling Well and Being Well: An Error Theory, NYU La Pietra Aesthetics Workshop, June 2–3, 2018
Aesthetic Value Naturalism, Canadian Philosophical Association, Montreal, June 6, 2018
How to Be a Neo-Sibleyan, University of Heidelberg, October 1-3, 2018
TBA, Free University Berlin, October 4, 2018
An Argument for the New Theory of Photography, Photography Conference, Sorbonne University, October 5–6, 2018
Being for Beauty in Outline, and Replies to Critics, Workshop on Being for Beauty: Aesthetic Agency and Value, Department of Philosophy, University of Turin, October 8, 2018
Aesthetic Value in the Network Era, International Symposium on Computational Media Art, Hong Kong, January 4–7, 2019
TBA, Clarifications Esthétiques: Journées des Jeunes Chercheurs en Esthétique Analytique, University of Lorraine, Nancy, January 16–18, 2019
TBA, Department of Philosophy, University of Colorado, January 25, 2019
TBA, American Philosophical Association Central Division, Denver, February 20–23, 2019
books
Being for Beauty: Aesthetic Agency and Value (Oxford: Oxford University Press, 2018)
Aesthetics on the Edge: Where Philosophy Meets the Human Sciences (Oxford: Oxford University Press, 2018)
Four Arts of Photography (Oxford: Wiley, 2016) [abstract] [amazon.com] [wiley]
Beyond Art (Oxford: Oxford University Press, 2014) [amazon.com]
A Philosophy of Computer Art (London: Routledge, 2009) [book web site]
Winner of the 2009 Outstanding Book Prize from the American Society for Aesthetics
Designated an Outstanding Academic Title by Choice (the American Library Association)Sight and Sensibility: Evaluating Pictures (Oxford: Oxford University Press, 2005 [abstract] [amazon.com] [sample chapter]
Understanding Pictures (Oxford: Oxford University Press, 1996). Reprinted as Comprendre les images: Une théorie de la représentation iconique, trans. Laure Blanc-Benon (Rennes: Presses Universitaires de Rennes, 2014) [abstract] [amazon.com]
edited works
Routledge Companion to Aesthetics, 3rd ed., ed. with Berys Gaut (London: Routledge, 2000, 2005, 2013) [abstract] [amazon.com] [routledge]
Journal of Aesthetics and Art Criticism Special Issue on The Media of Photography, ed. with Diarmuid Costello 70.1 (2012). Reprinted as The Media of Photography. Oxford: Wiley-Blackwell, 2012 [wiley]
Knowing Art: Aesthetics and Epistemology, ed. with Matthew Kieran. Philosophical Studies Series 107 (Dordrecht: Springer, 2006) [abstract] [amazon.com] [springer]
Philosophical Studies. 127.1 (2006) [springer]
Imagination, Philosophy, and the Arts, ed. with Matthew Kieran (London: Routledge, 2003) [abstract] [amazon.com]
Philosophy of Literature: An Anthology, ed. with Eileen John (Oxford: Blackwell, 2003) [abstract] [amazon.com]
selected articles
Disputing Taste, The Semantics of Aesthetic Judgement, ed. James O. Young (Oxford: Oxford University Press, 2017) 61-81
Beauty, the Social Network, Canadian Journal of Philosophy 47.4 (2017) 437-53 [abstract] [CJP]
In the Eye of the Beholder, Art, Mind, and Narrative: Themes from the Work of Peter Goldie, ed. Julian Dodd (Oxford: Oxford University Press, 2016) [amazon.com]
Making, Meaning, and Meaning by Making, Nonsite 19 (2016) [nonsite]
Aesthetics and Philosophy of Art, Oxford Handbook of Philosophical Methodology, ed. Herman Cappelen, Tamar Szabo Gendler, and John Hawthorne (Oxford: Oxford University Press, 2016) [amazon.com]
Aesthetic Experts, Guides to Value, Journal of Aesthetics and Art Criticism 73.3 (2015) 235-46 [abstract] [wiley]
Feckless Reason, Aesthetics and the Sciences of Mind, ed. Gregory Currie, Matthew Kieran, and Aaron Meskin (Oxford: Oxford University Press, 2014) [oup]
Art and Perception, Oxford Handbook of the Philosophy of Perception, ed. Mohan Matthen (Oxford: Oxford University Press, 2014) [oxford handbooks]
Photography and the "Picturesque Agent," Critical Inquiry 38.4 (2012) 855-69 [jstor]
The Myth of (Non-aesthetic) Artistic Value, Philosophical Quarterly 61 (2011) 518-36 [abstract] [Wiley]
Aesthetic Theory and Aesthetic Science: Prospects for Integration, with Vincent Bergeron, Aesthetic Science: Connecting Minds, Brains, and Experience, ed. Steven Palmer and Arthur Shimamura (Oxford: Oxford University Press, 2011) [abstract]
An Empathic Eye, Empathy: Philosophical and Psychological Perspectives, ed. Peter Goldie and Amy Coplan (Oxford: Oxford University Press, 2011) [abstract] [amazon.com]
Picture This: Image-Based Demonstratives, Philosophical Perspectives on Depiction, ed. Catharine Abell and Katerina Bantinaki (Oxford: Oxford University Press, 2010) [abstract] [amazon.com] [oup]
Aesthetic Acquaintance, The Modern Schoolman Special Issue on Varieties of Perception 86.2-3 (2009) 267-81
Objects of Appropriation, with Andrea Naomi Walsh, The Ethics of Cultural Appropriation, ed. James O. Young and Conrad Brunk (Oxford: Wiley, 2009) [amazon.com]
Drawing in a Social Science: Lithic Illustration, Perspectives on Science 17 (2009) 5-25 [abstract] [project muse]
Hearing and Seeing Musical Expression, with Vincent Bergeron, Philosophy and Phenomenological Research 78 (2009) 1-16 [abstract]
Genre, with Brian Laetz, Routledge Companion to Film and Philosophy, ed. Paisley Livingston and Carl Plantinga (London: Routledge, 2008)
Virtues of Art: Good Taste, Proceedings of the Aristotelian Society Supplementary Volume 82 (2008) 197-211 [abstract] [synergy]
Nobody Needs a Theory of Art, Journal of Philosophy 105 (2008) 109-27. Reprinted in The Nature of Art: An Anthology, ed. Wartenberg, 3rd ed. New York: Wadsworth, 2011. [abstract] [jphil]
True Appreciation, Photography and Philosophy: New Essays on the Pencil of Nature, ed. Scott Walden (Oxford: Blackwell, 2008) [abstract] [amazon.com]
Art Without 'Art,' British Journal of Aesthetics 47 (2007) 1-15 [abstract] [oup]
Conceptual Art Is Not What It Seems, Philosophy and Conceptual Art, ed. Peter Goldie and Elizabeth Schellekens (Oxford: Oxford University Press, 2007) [abstract] [amazon.com]
Shikinen Sengu: The Ontology of Architecture in Japan, Journal of Aesthetics and Art Criticism 65 (2007) 77-84 [abstract] [synergy]
The Domain of Depiction, in Contemporary Debates in Aesthetics and Philosophy of Art, ed. Matthew Kieran (Oxford: Blackwell, 2005) [abstract] [amazon.com]
Directive Pictures, Journal of Aesthetics and Art Criticism 63 (2004) 189-96 [abstract] [synergy]
The Aesthetics of Photographic Transparency, Mind 112 (2003) 335-48. Reprinted in Philosophy of Film: An Anthology, ed. Noël Carroll and Jinhee Choi (Oxford: Blackwell, 2005) and also in reprinted in Arguing about Art, 3rd ed. (London: Routledge, 2007) [abstract] [oup]
Pictures and the Representational Mind, Monist 86.4 (2003): 35-52. Reprinted in Italian translation in Discipline Filosofiche 25 (2005) 59-80 [abstract] [ebsco]
Digital Art, Blackwell Guide to the Philosophy of Computing and Information, ed. Luciano Floridi (Oxford: Blackwell, 2003) [abstract] [amazon.com]
Out of Sight, Out of Mind, in Imagination, Philosophy, and the Arts, ed. Matthew Kieran and Dominic McIver Lopes (London: Routledge, 2003) [abstract]
Vision, Touch, and the Value of Pictures, British Journal of Aesthetics 42 (2002) 187-97 [abstract] [oup]
The Ontology of Interactive Art, Journal of Aesthetic Education 35.4 (2001) 65-81 [abstract] [jstor]
What Is It Like to See with Your Ears? The Representational Theory of Mind, Philosophy and Phenomenological Research 60 (2000) 439-53 [abstract] [jstor]
From Languages of Art to Art in Mind, Journal of Aesthetics and Art Criticism 58 (2000) 227-31 [abstract] [jstor]
Mimesis and Moral Vision, Soundings 83 (2000) 801-21 [abstract]
Pictorial Color: Aesthetics and Cognitive Science, Philosophical Psychology 12 (1999) 415-28 [abstract] [ingenta]
Imagination, Illusion and Experience in Film, Philosophical Studies 89 (1998) 343-53 [abstract] [springer]
Art Media and the Sense Modalities: Tactile Pictures, Philosophical Quarterly 47 (1997) 425-40 [abstract] [synergy] [jstor]
Pictorial Realism, Journal of Aesthetics and Art Criticism 53 (1995) 277-85 [abstract] [jstor]
Pictures, Styles and Purposes, British Journal of Aesthetics 32 (1992) 330-41 [abstract] [oup]
